Kase Magnetic Filters

Shortly before leaving for Spain in late March I received a package with the Kase Magnetic Revolution ND Kit on my doorstep! I had heard great things about these filters and I was so excited to bring these filters along on my trip.  Although this trip was family (not photography) focused, I knew I would be capturing the sights and experiences of our trip and hopefully even get out for a couple sunrises or sunsets.

The Revolution Kit is perfect for me as it includes all of the filters that I use in my work. This kit includes a circular polarizer, 3 stop ND filer, 6 stop ND filter, 10 stop ND filter, and the ring for the filters to attach to the lens. All of these come in a compact filter case. An added bonus that I am really excited about is a magnetic front lens cap. This is a great addition because it means I can cover up and protect the filter when I’m taking a break or moving to a new spot. In the past, I have always had to remove the filter to put on a lens cap.

Case and magnetic lens cap

Another thing I love about these filters is that in addition to the written label on the filter ring to distinguish between the filters, they are also color coded, making it so much easier to grab the filter that I want to use. The 3 stop ND filter is Blue, 6 stop is yellow, the 10 stop is red, and the polarizer ring is silver. For someone whose eyesight is diminishing with age, it is extra helpful to have a way to differentiate the filters without having to try to read the fine print, especially in low light! When trying to grab the right filter as the light is quickly fading or changing, being able to easily identify the one I need means that I don’t miss the shot fumbling with gear.

Color coded filters inside the case

Most importantly, in addition to being easy to use, their quality is fantastic. The color is neutral so they don’t add a color cast to my images. Also, with this magnetic set, there is a magnetic inlaid ring hidden inside the lens screw thread to improve and minimize vignetting.  

I used the filters singularly and stacked during my trip to Spain and was so happy with the results.

30 seconds with the 10 stop neutral density filter in Malaga, Spain

.6 second exposure with the 6 stop Neutral Density filter and using intentional camera movement

Using the circular polarizer to reduce glare and enhance the colors on this gorgeous sunny day in Ronda, Spain

These filters are incredibly easy to stack when you want to use a polarizer and ND filter or to stack more than one ND filter to block more light like in this image below where I stacked the 10 stop and 3 stop neutral density filters to get a 3 minute exposure of these clouds.

After Spain, I traveled to South Carolina in mid April to host my Magic in Hilton Head ladies retreat. This filter kit was a dream to use while on the beaches of Hilton Head Island.

1/2 second exposure with the 6 stop ND filter

1/2 second exposure with the 6 stop ND filter

I cannot recommend this filter set enough. Have questions? Don’t hesitate to reach out to me. I’m happy to share any information I can.

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Kristen Ryan is an award winning and published landscape photographer and educator residing in the Midwest suburbs of Chicago. All images are available for purchase in the Fine Art Store or by request. Kristen leads ladies landscape photography retreats in the Tetons, Glacier NP, Hilton Head,  Chicago, and the Canadian Rockies, offers private mentoring .

10 Tips to Improve Your Landscape Photography

1. Learn the fundamentals - It is really important to understand all the settings of your camera and have a solid understanding of the exposure triangle and white balance. Having a solid understanding of how to use ISO, aperture and shutter speed will not only create better technical photographs but increase your artistic creativity as well.

2. Buy a great tripod and USE it! 

    I know no one is excited about another heavy piece of gear to carry but a tripod is one of the best investments you can make in your landscape photography. A tripod will help increase the sharpness of your images by keeping your camera steady. This is especially crucial when bracketing images or using slow shutter speeds. This is such an easy step to achieve in improving your landscape imagery.

This 30 second exposure in the Tetons could not be achieved without a tripod

3. Shoot In RAW 

    Landscape photography often means shooting in light with a high dynamic range. In order to capture and keep all the details in your image, you want all the information that a RAW file will capture. RAW files are much more forgiving when you make a mistake an underexpose your image. You can often rescue a underexposed image without damaging the image quality with a RAW file, but not with a JPEG. 

4. Learn Basic Post Processing

    Learn to process those RAW files so that you can bring out the scene you captured. Even the most basic RAW adjustments can go a long way to transforming the straight out of camera file you captured. Lightroom is excellent for cataloging and quick adjustments and is easy to use. Remember that often just some small adjustments are all you need to take an image to that next level. 

See BEFORE & AFTER below of the Three Sisters in Canmore, Alberta Canada.

5. Get out in the right light    

    There is a reason landscape photographers get up early and stay out late. The light at these times will create more compelling and dynamic images. Yes, it is possible to create incredible photographs in the daytime hours, but more often than not, those golden hours into night time will raise the interest in your landscape imagery. 

Sunrise in Oahu, Hawaii

6. Experiment with perspective 

    You got the tripod, set it up, and stay there shooting away, right?! NO! Always vary your perspective. Get high, get low (even if that means taking the camera OFF the tripod), find some framing, look for leading lines and foreground interest. Perhaps there is a perspective that grabs you right away. Capture it. Then move around and find another one. 

In this image, I used the ice in the foreground to create depth, a unique perspective and a greater sense of season and story.

7. Be creative with your shutter speed

    In landscape photography, creative use of a shutter speed is often what takes an image from pretty to WOW! When photographing water or clouds in particular, a creative shutter speed allows you to put your own artistic spin on a scene that makes it unique. Finding the ‘right’ shutter speed for your vision can be a process but a fun creative experience. 

.4 seconds of waves in Oahu, Hawaii

8. Vary your focal length 

    Often with landscape photography we naturally think the widest angles are best. And often this is true, but not in every case. Sometimes the widest angle will make our subject appear too small in the scene and we need a middle focal length. Other times it is details that draw our eye which can only be captured by a telephoto lens. Many times I try to capture a scene with various focal lengths to create several unique images from the same location.  In the grid below the images are focal lengths as follows:

35mm. 70mm

130mm 200mm

9. Slow Down

Instead of quickly snapping the shutter, slow down and take in the scene in front of you. Consider the light. Thing about what is drawing you to the scene and why. Think about how you are feeling. Look for a unique perspective and take your time setting up the shot.

10. Capture what speaks to you! 

    In any scene you are capturing, there is something or some number of things that are drawing you to that scene. Perhaps it is the overwhelmingly wide expanse of the land,  the way the light is hitting the trees, the curve of a wave, or the formation of the clouds at the tip of a mountain. Hone in on the beauty that is speaking to you and use your tools to capture the scene in a way that highlights those details. Listen to your inner voice and follow it. Always shoot for yourself, to satisfy your own inner artistic voice.

Check back next week for more tips to improve your landscape photography!

A beautiful icy and snowy afternoon in the Midwest

Kristen Ryan is a landscape and fine art photographer residing in the Midwest suburbs of Chicago. All images can be purchased in the Fine Art Store. Kristen leads ladies landscape photography retreats in the Tetons, Chicago, and the Canadian Rockies, offers private mentoring and teaches an online landscape photography workshop twice a year.

9 Tips for Creative Long Exposures

One of my very favorite things to do when shooting nature and landscapes is to experiment with long exposures   Anytime I have the opportunity to get a creative exposure of clouds or water, I try to take it.

60 seconds in Grand Teton National Park - using a 10 stop filter.

Here are some tips to help you find success when experimenting with long exposures:

1)  A tripod is your best friend.  I know, I know, they are cumbersome and a pain to carry but are necessary so that you can keep your frame stable throughout the long exposure.  Make sure your tripod is steady and secure. 

2) Invest in good Neutral Density Filters. I recommend a 6 stop and/or 10 stop ND filter. In brighter light and to get 30 second or longer exposures, you will often need a 10 stop filter. In lower light and/or an exposure of just a couple seconds, a 6 stop filter may be sufficient. For even longer exposures in daylight you can use a 15 stop filter as well. There are many companies that make Neutral Density Filters in various price ranges.

4 seconds at Natural Bridge in Yoho National Park - using a 6 stop filter.

3)  Compose your frame and focus for the desired depth of field BEFORE putting the filter in front of the lens. Once you put a 10 stop filter on,  you can't see through to focus and compose. 

4) Set the new exposure BEFORE putting the filter on the lens. Find your proper exposure without the filter on.  Then you can use a Long Exposure Calculator App to find the new shutter speed after you put on the filter. Usually you will need to max out your ISO and aperture unless you are shooting in really low light.  For example, say I set my ISO to 100 and aperture to f/22 and my base shutter speed is 1/80.  If I enter into the app a 1/80 shutter speed and tell it I am using a 10 stop filter, the app will then tell me that a 13 second shutter speed will give me the same exposure with the filter on.  So then I will change my shutter speed to 13 seconds before I put on the filter.  The less I touch my camera after putting on the filter, the better. 

4 minute exposure using a 15 stop ND filter in Grand Teton National Park.

5) Use a Shutter release remote. These are critical if you are using a shutter speed slower than 30 seconds as you must then turn to bulb mode. But even out of bulb mode, using a shutter release is one more way to eliminate the chances of bumping your frame and increasing sharp focus.  If you don’t have a shutter release you can also use your camera’s timer delay.

6)  Cover your eyepiece viewfinder to prevent light from coming into the frame as this creates undesirable light leaks. My Nikon D810 and D850 have a little door that covers the eyepiece. But otherwise, I would cover it with a black/dark cloth or anything else that will keep the light out. 

7) Check your histogram. Sometimes finding the right exposure with the filter can be a bit of trial and error. Don’t rely on the app or the LCD screen. Make sure the histogram is toward the right without climbing the right wall. If you need to bump exposure, lower that shutter speed, OR if your shutter speed is where you want it for creative effect, raise your ISO or open up your aperture. 

2 minutes with a 10 stop filter at Lake Louise in Alberta, Canada

8) Consider the creative effect and mood of the image you want to create! When choosing your shutter speed length, think about your creative vision. For really streaked clouds, you may need a 60 second exposure or even a few minutes. If clouds are moving fast, 15-30 seconds may create the look you desire.  With water, you may want to create a really smooth effect with 20-60 seconds or perhaps you want to leave more texture in the water with a 1 second exposure or a fraction of a second.

2.5 seconds in Kauai

9) Lastly, look at the other areas of your frame. Do you have unwanted blur in other areas of your frame…such as trees, grasses or other foliage?  If so, capture the exact composed frame with a faster speed so you can composite the two images later in post processing. 

3 minute exposure for the sky combined with a fast shutter for the foreground grasses. Shot in the prairie of Illinois.

It's a little addicting, so don't say I didn't warn you! Are you looking for filters for long exposure photography? Check out Breakthrough Photography filters!* They are the filters I always have in my bag!

Check out my online workshop, mentoring, or ladies’ landscape photography retreats for educational opportunities.

*Affiliate Link